ISMIR 2008

See also papers indexed by author.

	Sunday	Monday	Tuesday	Wednesday	Thursday
8:45-9:00		Opening Remarks
09:00-11:00	Tutorials AM	Invited Speaker	Invited Panel Discussion	Keynote Speaker	Plenary Sessions 7, 8, 9
		Plenary Session 1	Plenary Session 3	Plenary Session 5
11:00-13:00		Poster Session 1	Poster Session 3	Poster Session 5	Late-Breaking/ Demo Session
	Lunch (on your own)
13:00-15:00	Tutorials PM	Lunch (provided)	Lunch (provided)	Lunch (provided)	Closing Remarks
15:00-16:00		Plenary Session 2	Plenary Session 4	Plenary Session 6
16:00-18:00		Poster Session 2	Poster Session 4	MIREX Posters
18:00-		Banquet: Constitution Center		Concert
				Reception

 

Mon 9.00 - 10.00

Invited Speaker

• The Geometry of Consonance
  Dmitri Tymoczko, Princeton University

Mon 10:00 - 11:00

Plenary Session 1: User Interfaces and Visualization

10:00	Music Thumbnailer: Visualizing Musical Pieces in Thumbnail Images Based on Acoustic Features Kazuyoshi Yoshii and Masataka Goto
10:20	MCIpa: A Music Content Information Player and Annotator for Discovering Music Geoffroy Peeters, David Fenech and Xavier Rodet
10:40	Development of a Music Organizer for Children Edmond Zhang and Sally Jo Cunningham

Mon 11:00 - 13:00

Poster Session 1a: Harmony

• Cochonut: Recognizing Complex Chords From MIDI Guitar Sequences
  Ricardo Scholz and Geber Ramalho

• Chord Recognition using Instrument Voicing Constraints
  Xinglin Zhang and David Gerhard

• Automatic Chord Recognition Based on Probabilistic Integration of Chord Transition and Bass Pitch Estimation
  Kouhei Sumi, Katsutoshi Itoyama, Kazuyoshi Yoshii, Kazunori Komatani, Tetsuya Ogata and Hiroshi G. Okuno

• A Discrete Mixture Model for Chord Labelling
  Matthias Mauch and Simon Dixon

• Tonal Pitch Step Distance: A Similarity Measure for Chord Progressions
  Bas De Haas, Remco Veltkamp and Frans Wiering

• Evaluating and Visualizing Effectiveness of Style Emulation in Musical Accompaniment
  Ching-Hua Chuan and Elaine Chew

• Characterisation of Harmony With Inductive Logic Programming
  Amélie Anglade and Simon Dixon

• Structured Polyphonic Patterns
  Mathieu Bergeron and Darrell Conklin

• A Music Database and Query System for Recombinant Composition
  James Maxwell and Arne Eigenfeldt

Poster Session 1b: Melody

• Detection of Stream Segments in Symbolic Musical Data
  Dimitris Rafailidis, Alexandros Nanopoulos, Yannis Manolopoulos and Emilios Cambouropoulos

• A Comparison of Statistical and Rule-Based Models of Melodic Segmentation
  Daniel Muellensiefen, Marcus Pearce and Geraint Wiggins

• Speeding Melody Search With Vantage Point Trees
  Michael Skalak, Jinyu Han and Bryan Pardo

• A Manual Annotation Method for Melodic Similarity and the Study of Melody Feature Sets
  Anja Volk, Peter Van Kranenburg, Jörg Garbers, Frans Wiering, Remco Veltkamp and Louis P. Grijp

• Melody Expectation Method Based on GTTM and TPS
  Masatoshi Hamanaka, Keiji Hirata and Satoshi Tojo

Poster Session 1c: Timbre

• Automatic Identification of Simultaneous Singers in Duet Recordings
  Wei-Ho Tsai, Shih-Jie Liao and Catherine Lai

• Vocal Segment Classification in Popular Music
  Ling Feng, Andreas Brinch Nielsen and Lars Kai Hansen

• Learning Musical Instruments from Mixtures of Audio with Weak Labels
  David Little and Bryan Pardo

• Instrument Equalizer for Query-By-Example Retrieval: Improving Sound Source Separation Based on Integrated Harmonic and Inharmonic Models
  Katsutoshi Itoyama, Masataka Goto, Kazunori Komatani, Tetsuya Ogata and Hiroshi G. Okuno

• A Real-Time Equalizer of Harmonic and Percussive Components in Music Signals
  Nobutaka Ono, Kenichi Miyamoto, Hirokazu Kameoka and Shigeki Sagayama

Poster Session 1d: MIR Platforms

• The Perlhumdrum and Perllilypond Toolkits for Symbolic Music Information Retrieval
  Ian Knopke

• Support for MIR Prototyping and Real-Time Applications in the ChucK Programming Language
  Rebecca Fiebrink, Ge Wang and Perry Cook

Mon 15:00 - 16:00

Plenary Session 2: Music Recommendation and Recognition

15:00	A Comparison of Signal-Based Music Recommendation to Genre Labels, Collaborative Filtering, Musicological Analysis, Human Recommendation, and Random Baseline Terence Magno and Carl Sable
15:20	Development of An Automatic Music Selection System Based on Runner’s Step Frequency Masahiro Niitsuma, Hiroshi Takaesu, Hazuki Demachi, Masaki Oono and Hiroaki Saito
15:40	A Robot Singer With Music Recognition Based on Real-Time Beat Tracking Kazumasa Murata, Kazuhiro Nakadai, Kazuyoshi Yoshii, Ryu Takeda, Toyotaka Torii, Hiroshi G. Okuno, Yuji Hasegawa and Hiroshi Tsujino

Mon 16:00 - 18:00

Poster Session 2a: Music Recommendation and Organization

• A Comparison of Signal-Based Music Recommendation to Genre Labels, Collaborative Filtering, Musicological Analysis, Human Recommendation, and Random Baseline
  Terence Magno and Carl Sable

• Kernel Expansion for Online Preference Tracking
  Yvonne Moh and Joachim Buhmann

• Playlist Generation Using Start and End Songs
  Arthur Flexer, Dominik Schnitzer, Martin Gasser and Gerhard Widmer

• Accessing Music Collections via Representative Cluster Prototypes in a Hierarchical Organization Scheme
  Markus Dopler, Markus Schedl, Tim Pohle and Peter Knees

• Development of a Music Organizer for Children
  Edmond Zhang and Sally Jo Cunningham

Poster Session 2b: Music Recognition and Visualization

• Development of An Automatic Music Selection System Based on Runner’s Step Frequency
  Masahiro Niitsuma, Hiroshi Takaesu, Hazuki Demachi, Masaki Oono and Hiroaki Saito

• A Robot Singer With Music Recognition Based on Real-Time Beat Tracking
  Kazumasa Murata, Kazuhiro Nakadai, Kazuyoshi Yoshii, Ryu Takeda, Toyotaka Torii, Hiroshi G. Okuno, Yuji Hasegawa and Hiroshi Tsujino

• Streamcatcher: Integrated Visualization of Music Clips and Online Audio Streams
  Martin Gasser, Arthur Flexer and Gerhard Widmer

• Music Thumbnailer: Visualizing Musical Pieces in Thumbnail Images Based on Acoustic Features
  Kazuyoshi Yoshii and Masataka Goto

Poster Session 2c: Knowledge Representation, Tags, Metadata

• Ternary Semantic Analysis of Social Tags for Personalized Music Recommendation
  Panagiotis Symeonidis, Maria Ruxanda, Alexandros Nanopoulos and Yannis Manolopoulos

• Five Approaches to Collecting Tags for Music
  Douglas Turnbull, Luke Barrington and Gert Lanckriet

• MoodSwings: A Collaborative Game for Music Mood Label Collection
  Youngmoo Kim, Erik Schmidt and Lloyd Emelle

• Collective Annotation of Music From Multiple Semantic Categories
  Zhiyao Duan, Lie Lu and Changshui Zhang

• MCIpa: A Music Content Information Player and Annotator for Discovering Music
  Geoffroy Peeters, David Fenech and Xavier Rodet

• Connecting the Dots: Music Metadata Generation, Schemas and Applications
  Nik Corthaut, Sten Govaerts, Katrien Verbert and Erik Duval

• The Quest for Musical Genres: Do the Experts and the Wisdom of Crowds Agree?
  Mohamed Sordo, Oscar Celma, Martin Blech and Enric Guaus

Poster Session 2d: Social and Music Networks

• A Web of Musical Information
  Yves Raimond and Mark Sandler

• Using Audio Analysis and Network Structure to Identify Communities in On-Line Social Networks of Artists
  Kurt Jacobson, Ben Fields and Mark Sandler

• Uncovering Affinity of Artists to Multiple Genres From Social Behaviour Data
  Claudio Baccigalupo, Justin Donaldson and Enric Plaza

• Hyperlinking Lyrics: A Method for Creating Hyperlinks Between Phrases in Song Lyrics
  Hiromasa Fujihara, Masataka Goto and Jun Ogata

• Oh Oh Oh Whoah! Towards Automatic Topic Detection in Song Lyrics
  Florian Kleedorfer, Peter Knees and Tim Pohle

Tue 9:00 - 10:00

Invited Panel Discussion

• Commercial Music Discovery and Recommendation

Tue 10:00 - 11:00

Plenary Session 3: Content-based Similarity & Retrieval 1

10:00	Hit Song Science is Not Yet a Science Francois Pachet and Pierre Roy
10:20	Content-Based Musical Similarity Computation Using the Hierarchical Dirichlet Process Matthew Hoffman, David Blei and Perry Cook
10:40	Learning a Metric for Music Similarity Malcolm Slaney, Kilian Weinberger and William White

Tue 11:00 - 13:00

Poster Session 3a: Content-based Retrieval, Categorization and Similarity 1

• A Text Retrieval Approach to Content-Based Audio Hashing
  Matthew Riley, Eric Heinen and Joydeep Ghosh

• A Music Identification System Based on Chroma Indexing and Statistical Modeling
  Riccardo Miotto and Nicola Orio

• Hubs and Homogeneity: Improving Content-Based Music Modeling
  Mark Godfrey and Parag Chordia

• Learning a Metric for Music Similarity
  Malcolm Slaney, Kilian Weinberger and William White

• Clustering Music Recordings By Their Keys
  Yuxiang Liu, Ye Wang, Arun Shenoy, Wei-Ho Tsai and Lianhong Cai

• Multi-Label Classification of Music Into Emotions
  Konstantinos Trohidis, Grigorios Tsoumakas, George Kalliris and Ioannis Vlahavas

• A Study on Feature Selection and Classification Techniques for Automatic Genre Classification of Traditional Malay Music
  Shyamala Doraisamy, Shahram Golzari, Noris Mohd. Norowi, Nasir Sulaiman and Nur Izura Udzir

• Rhyme and Style Features for Musical Genre Categorisation By Song Lyrics
  Rudolf Mayer, Robert Neumayer and Andreas Rauber

• Armonique: Experiments in Content-Based Similarity Retrieval Using Power-Law Melodic and Timbre Metrics
  Bill Manaris, Dwight Krehbiel, Patrick Roos and Thomas Zalonis

• Content-Based Musical Similarity Computation Using the Hierarchical Dirichlet Process
  Matthew Hoffman, David Blei and Perry Cook

• Hit Song Science is Not Yet a Science
  Francois Pachet and Pierre Roy

Poster Session 3b: Computational Musicology

• A Framework for Automated Schenkerian Analysis
  Phillip Kirlin and Paul Utgoff

• Music Structure Analysis Using a Probabilistic Fitness Measure and an Integrated Musicological Model
  Jouni Paulus and Anssi Klapuri

• Towards Quantitative Measures of Evaluating Song Segmentation
  Hanna Lukashevich

• Towards Structural Alignment of Folk Songs
  Jörg Garbers and Frans Wiering

Poster Session 3c: OMR, Alignment and Annotation

• Joint Structure Analysis With Applications to Music Annotation and Synchronization
  Meinard Mueller and Sebastian Ewert

• Segmentation-Based Lyrics-Audio Alignment Using Dynamic Programming
  Kyogu Lee and Markus Cremer

• Machine Annotation of Sets of Traditional Irish Dance Tunes
  Bryan Duggan, Brendan O’Shea, Mikel Gainza, Padraig Cunningham

• Enhanced Bleedthrough Correction for Early Music Documents With Recto-Verso Registration
  John Ashley Burgoyne, Johanna Devaney, Laurent Pugin and Ichiro Fujinaga

• Automatic Mapping of Scanned Sheet Music to Audio Recordings
  Christian Fremerey, Meinard Mueller, Frank Kurth and Michael Clausen

• Gamera Versus Aruspix: Two Optical Music Recognition Approaches
  Laurent Pugin, Jason Hockman, John Ashley Burgoyne and Ichiro Fujinaga

Tue 15:00 - 16:00

Plenary Session 4: Performance Analysis and Music Summarization

15:00	Using Expressive Trends for Identifying Violin Performers Miguel Molina-Solana, Josep Lluis Arcos and Emilia Gomez
15:20	Hybrid Numeric/Rank Similarity Metrics for Musical Performance Analysis Craig Sapp
15:40	Creating and Evaluating Multi-Phrase Music Summaries Konstantinos Meintanis and Frank Shipman

Tue 16:00 - 18:00

Poster Session 4a: Data Exchange, Archiving and Evaluation

• Using the Sdif Sound Description Interchange Format for Audio Features
  Juan Jose Burred, Carmine-Emanuele Cella, Geoffroy Peeters, Axel Roebel and Diemo Schwarz

• Using XQuery on MusicXML Databases for Musicological Analysis
  Joachim Ganseman, Paul Scheunders and Wim D’haes

• Application of the Functional Requirements for Bibliographic Records (FRBR) to Music
  Jenn Riley

• Online Activities for Music Information and Acoustics Education and Psychoacoustic Data Collection
  Travis Doll, Raymond Migneco and Youngmoo Kim

• The Latin Music Database
  Carlos N. Silla Jr., Alessandro L. Koerich and Celso A. A. Kaestner

• The Liner Notes Digitization Project: Providing Users With Cultural, Historical, and Critical Music Information
  Megan Winget

• The 2007 MIREX Audio Mood Classification Task: Lessons Learned
  Xiao Hu, J. Stephen Downie, Cyril Laurier, Mert Bay and Andreas F. Ehmann

• Audio Cover Song Identification: MIREX 2006-2007 Results and Analyses
  J. Stephen Downie, Mert Bay, Andreas F. Ehmann and M. Cameron Jones

Poster Session 4b: Musical Expression and Meaning

• Music, Movies and Meaning: Communication in Film-Makers’ Search for Pre-Existing Music, and the Implications for Music Information Retrieval
  Charlie Inskip, Andy Macfarlane and Pauline Rafferty

• Performer Identification in Celtic Violin Recordings
  Rafael Ramirez, Alfonso Perez, Esteban Maestre and Stefan Kersten

• A New Music Database Describing Deviation Information of Performance Expressions
  Mitsuyo Hashida, Toshie Matsui and Haruhiro Katayose

• Using Expressive Trends for Identifying Violin Performers
  Miguel Molina-Solana, Josep Lluis Arcos and Emilia Gomez

• Hybrid Numeric/Rank Similarity Metrics for Musical Performance Analysis
  Craig Sapp

• Creating and Evaluating Multi-Phrase Music Summaries
  Konstantinos Meintanis and Frank Shipman

Poster Session 4c: Automatic Music Analysis and Transcription

• Multiple-Feature Fusion Based Onset Detection for Solo Singing Voice
  Chee-Chuan Toh, Bingjun Zhang and Ye Wang

• Multi-Feature Modeling of Pulse Clarity: Design, Validation and Optimization
  Olivier Lartillot, Tuomas Eerola, Petri Toiviainen and Jose Fornari

• Fast MIR in a Sparse Transform Domain
  Emmanuel Ravelli, Gaël Richard and Laurent Daudet

• Detection of Pitched/Unpitched Sound Using Pitch Strength Clustering
  Arturo Camacho

• Resolving Overlapping Harmonics for Monaural Musical Sound Separation Using Pitch and Common Amplitude Modulation
  John Woodruff, Yipeng Li and DeLiang Wang

• Non-Negative Matrix Division for the Automatic Transcription of Polyphonic Music
  Bernhard Niedermayer

• Perceptually-Based Evaluation of the Errors Usually Made When Automatically Transcribing Music
  Adrien Daniel, Valentin Emiya and Bertrand David

Wed 9:00 - 10:00

Keynote Speaker

• Human Music Retrieval: Noting Time
  Jeanne Bamberger, MIT/UC Berkeley

Wed 10:00 - 11:00

Plenary Session 5: Content-based Similarity & Retrieval 2

10:00	Social Playlists and Bottleneck Measurements : Exploiting Musician Social Graphs Using Content-Based Dissimilarity and Pairwise Maximum Flow Values Ben Fields, Kurt Jacobson, Christophe Rhodes and Michael Casey
10:20	Music Genre Classification: A Multilinear Approach Ioannis Panagakis, Emmanouil Benetos and Constantine Kotropoulos
10:40	Combining Features Extracted From Audio, Symbolic and Cultural Sources Cory McKay and Ichiro Fujinaga

Wed 11:00 - 13:00

Poster Session 5a: Content-based Retrieval, Categorization and Similarity 2

• Social Playlists and Bottleneck Measurements : Exploiting Musician Social Graphs Using Content-Based Dissimilarity and Pairwise Maximum Flow Values
  Ben Fields, Kurt Jacobson, Christophe Rhodes and Michael Casey

• High-Level Audio Features: Distributed Extraction and Similarity Search
  Francois Deliege, Bee Yong Chua and Torben Bach Pedersen

• Extending Content-Based Recommendation: the Case of Indian Classical Music
  Parag Chordia, Mark Godfrey and Alex Rae

• Multiple-Instance Learning for Music Information Retrieval
  Michael Mandel and Daniel Ellis

• Music Genre Classification: A Multilinear Approach
  Ioannis Panagakis, Emmanouil Benetos and Constantine Kotropoulos

• Direct and Inverse Inference in Music Databases: How to Make a Title Funk?
  Patrick Rabbat and Francois Pachet

Poster Session 5b: Feature Representation

• Combining Features Extracted From Audio, Symbolic and Cultural Sources
  Cory McKay and Ichiro Fujinaga

• On the Use of Sparse Time-Relative Auditory Codes for Music
  Pierre-Antoine Manzagol, Thierry Bertin-Mahieux and Douglas Eck

• A Robust Musical Audio Search Method Based on Diagonal Dynamic Programming Matching of Self-Similarity Matrices
  Tomonori Izumitani and Kunio Kashino

• Combining Feature Kernels for Semantic Music Retrieval
  Luke Barrington, Mehrdad Yazdani, Douglas Turnbull and Gert Lanckriet

• Using Bass-Line Features for Content-Based MIR
  Yusuke Tsuchihashi, Tetsuro Kitahara and Haruhiro Katayose

• Timbre and Rhythmic TRAP-TANDEM Features for Music Retrieval
  Nicolas Scaringella

Poster Session 5c: Rhythm and Meter

• Quantifying Metrical Ambiguity
  Patrick Flanagan

• On Rhythmic Pattern Extraction in Bossa Nova Music
  Ernesto Trajano de Lima and Geber Ramalho

• Analyzing Afro-Cuban Rhythm Using Rotation-Aware Clave Template Matching with Dynamic Programming
  Matthew Wright, George Tzanetakis and Andrew Schloss

• Beat Tracking Using Group Delay Based Onset Detection
  Andre Holzapfel and Yannis Stylianou

• Using Statistic Model to Capture the Association Between Timbre and Perceived Tempo
  Linxing Xiao, Aibo Tian, Wen Li and Jie Zhou

• Rhythm Complexity Measures: A Comparison of Mathematical Models of Human Perception and Performance
  Eric Thul and Godfried Toussaint

Poster Session 5d: MIR Methods

• N-Gram Chord Profiles for Composer Style Identification
  Mitsunori Ogihara and Tao Li

• Fast Index Based Filters for Music Retrieval
  Kjell Lemström, Niko Mikkilä and Veli Mäkinen

• A Tunneling-Vantage Indexing Method for Non-Metrics
  Rainer Typke and Agatha Walczak-Typke

Wed 15:00 - 16:00

Plenary Session 6: MIR Methods and Platforms

15:00	A Tunneling-Vantage Indexing Method for Non-Metrics Rainer Typke and Agatha Walczak-Typke
15:20	The Perlhumdrum and Perllilypond Toolkits for Symbolic Music Information Retrieval Ian Knopke
15:40	Support for MIR Prototyping and Real-Time Applications in the ChucK Programming Language Rebecca Fiebrink, Ge Wang and Perry Cook

Wed 16:00 - 18:00

MIREX Poster Session

Thu 9:00 - 11:00

Plenary Session 7: Melody and Rhythm

09:00	Melody Expectation Method Based on GTTM and TPS Masatoshi Hamanaka, Keiji Hirata and Satoshi Tojo
09:20	Rhythm Complexity Measures: A Comparison of Mathematical Models of Human Perception and Performance Eric Thul and Godfried Toussaint

Plenary Session 8: Knowledge Representation, Tags, Metadata and Web Mining

09:40	Connecting the Dots: Music Metadata Generation, Schemas and Applications Nik Corthaut, Sten Govaerts, Katrien Verbert and Erik Duval
10:00	The Quest for Musical Genres: Do the Experts and the Wisdom of Crowds Agree? Mohamed Sordo, Oscar Celma, Martin Blech and Enric Guaus

Plenary Session 9: OMR and Music Alignment

10:20	Automatic Mapping of Scanned Sheet Music to Audio Recordings Christian Fremerey, Meinard Mueller, Frank Kurth and Michael Clausen
10:40	Gamera Versus Aruspix: Two Optical Music Recognition Approaches Laurent Pugin, Jason Hockman, John Ashley Burgoyne and Ichiro Fujinaga

Thu 11:00-13:00

Late-Breaking / Demo Session

• A Preference Ranking Model Using a Discriminatively Trained Classifier
  Jeremy Reed and Chin-Hui Lee

• Music Retrieval Based on Social Tags: A Case Study
  Klaas Bosteels, Etienne E. Kerre, and Elias Pampalk

• MIRtoolbox Demo
  Olivier Lartillot, Petri Toiviainen, and Tuomas Eerola

• Audio-to-Score Alignment In the Audacity Audio Editor
  Roger B. Dannenberg and Gregory S. Williams

• A Database for the Accommodation of Structural and Stylistic Variability in Improvised Jazz Piano Performances
  Joshua Moshier and Bryan Pardo

• Demonstration: Using MusicXML 2.0 to Create Symbolic Music Data Sets
  Michael D. Good

• Web Bbased Musical Document Viewer for Digital Music Libraries
  Andrew Hankinson, Laurent Pugin, Gabriella Hanke Knaus, and Ichiro Fujinaga

• Herd the Music - A Social Music Annotation Game
  Luke Barrington, Damien O’Malley, Douglas Turnbull, and Gert Lanckriet

• Dynamic Bayesian Networks for Chord and Key Extraction from Symbolic Music Data
  Stanislaw Andrzej Raczynski, Nobutaka Ono, and Shigeki Sagayama

• FM4 Soundpark: Audio-based Music Recommendation in Everyday Use
  Martin Gasser, Dominik Schnitzer, Arthur Flexer, and Gerhard Widmer

• Music and Lyrics: Can Lyrics Improve Emotion Estimation for Music?
  Daniel C Wu Jr, Jih-Shiang Chang, Chung-Yi Chi, Chui-De Chiu, Richard Tzong-Han Tsai, and Jane Yung-jen Hsu

• A Geographic Interface for Large Music Collections
  Oscar Celma and Marcelo Nunes

• Asynchronous Music Production in Life-sized Video Communication System t-Room
  Katsuhiko Kaji and Keiji Hirata

• Graph-RAT: A Toolkit for Conducting MIR Research
  Daniel McEnnis

• MIREX 2008 Audio Classification Tasks
  Kris West, Michael Mandel, and J. Stephen Downie

• Structured Representation of Harmony for Music Retrieval
  Matthias Robine, Pierre Hanna, Thomas Rocher, Julien Allali, and Pascal Ferraro

• MusicBox: Navigating the Space of Your Music
  Anita Lillie

• HPCP-based Music Classification
  Louis Dorard and John Shawe-Taylor

• MOODY: A Web-Based Music Mood Classification and Recommendation System
  Xiao Hu, Viraj Sanghvi, Billy Vong, Ping John On, Cheng Leong, and Jonathan Angelica

• Noteflight: An Online, Browser-based Editor for Music Notation
  Joe Berkovitz

• Real-time Score Tracking for Personalization of Live Orchestral Performances
  Daniel Perelstein and Youngmoo E. Kim

• Realtime Audio Analysis for Humanoid Robotics and Dance
  David Grunberg, Robert Ellenberg, and Paul Oh

• Creating Transparent, Steerable Recommendations
  Paul Lamere and Francois Maillet

• Content-based Music Information Retrieval System with Automatic DJ Mixing
  Hiromi Ishizaki, Keiichiro Hoashi, and Yasuhiro Takishima

• Real-Time Visualizer/Equalizer for Harmonic and Percussive Components in Music Sounds
  Emiru Tsunoo, Kenichi Miyamoto, Nobutaka Ono, and Shigeki Sagayama

 

 

This page has the following sub pages.

• Author Index